Is America Really Exceptional?

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As a Soviet Jewish immigrant, the son of Reagan-loving anti-Communists, I grew up in a kind of secular religion: American exceptionalism. I was raised to believe that the evils of tyranny—ones as mundane as toilet-paper lines or as horrific as the Holocaust—could only have happened far away or long ago, in places without democracy or capitalism. Gradually, I became aware of arguments that the U.S. was exceptional in far less desirable ways, too: poorer health outcomes, higher murder rates, and greater inequality when compared with similarly prosperous nations. What I notice now, as a journalist working during the second Trump administration, is that for all the ways that America is unlike other nations, in crucial ways it is just like any other place: What happens anywhere—including moves toward authoritarianism—can also happen here. This idea underpins two recent essays in The Atlantic.

First, here are four new articles from the Atlantic’s Books section:

In her immersive work of nonfiction, A Flower Traveled in My Blood, Haley Cohen Gilliland documents the decades-long struggle to recover children who, during Argentina’s Dirty War, were snatched away from detained dissidents (many of whom were murdered) and given to supporters of the regime. In an Atlantic essay about the book published this week, Julia M. Klein highlights Gilliland’s insistence that this specific case bears cautionary lessons for many societies. Klein, who as a reporter witnessed Argentina’s still-incomplete reckoning with its atrocities, finds that the U.S. “government’s turn to sudden, legally questionable seizures” of immigrants, “often by unidentified masked men,” reminds her of past abuses across South America. “When tyrants threaten, more people and institutions may cower than resist,” Klein writes, drawing on the experience of Argentines and others who saw state terror. “The loss of checks on state violence can be catastrophic; and no one knows who the next victim will be.”

The lessons in America, América, Greg Grandin’s sweeping history of the Western Hemisphere after many of its nations gained independence from Europe’s empires, are less ominous—perhaps surprisingly so, considering the strongmen and civil wars that tend to dominate American media portrayals of those countries. “As some historians talk about Trump as a strongman in the Latin American mold, perhaps the region has something to teach us about democracy,” Carolina A. Miranda wrote a couple of weeks ago in an article about Grandin’s book. Miranda noted that many democratic concepts, including birthright citizenship, were pioneered in the region before spreading across the world. “Grandin’s narrative upends the idea of Latin America as perpetual victim,” Miranda wrote—along with the image of the U.S. as “a forbearing parent” shepherding its wayward southern neighbors. Instead, she suggested, Latin American constitutions and liberation movements have incubated principles that might help guide Americans.

I might never let go entirely of the faith I grew up with, a core belief that the world has much to learn from the American example and from the freedoms Americans are promised. But I also believe we have much to learn—and not just through cautionary tales. We may not have universal health care or ample high-speed rail like some of our wealthy peer nations, but over the past few decades I have seen these concepts seriously contemplated—even, in some places, enacted—by policy makers who look to other countries for ideas. These modest experiments have strengthened my belief that the U.S. is not exceptional in every way. Bad things that have happened elsewhere can happen here—and so can changes that make life better.


Photo-illustration by Tarini Sharma

Between ‘the Drive to Forget and the Obligation to Remember’

By Julia M. Klein

Argentina’s unfinished reckoning shows how difficult it can be to recover from state terror.

Read the full article.


What to Read

A Visit From the Goon Squad, by Jennifer Egan

Egan’s rightly lauded collection of linked stories found its way into my hands just as I was crawling out of a midlife mess in which I was making a lot of questionable choices. The book drops in on a highly populated world revolving around the music business, and for obvious reasons, I found myself drawn to the endearingly disastrous producer’s assistant Sasha. Paradoxically, her story gave me a tremendous sense of hope that, regardless of my mistakes in the moment, everything would be okay in the end. We first meet her as a 20-something living in New York who steals a wallet while on a date. We see her teenage years as a runaway sex worker in Europe, watch her as a misanthropic college student, and ultimately glimpse her as a content and loving mother, living in California and channeling her love of music and curiosity into her children as well as artwork of her own. Sasha’s life, like mine—and like all of ours—is full of low moments, but while those times shape us, they don’t need to define us.  — Xochitl Gonzalez

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Your Weekend Read

Is America Really Exceptional?
Keystone Press / Alamy

She Was More Than the Next Marilyn Monroe

By Mayukh Sen

Taken at face value, Mansfield’s life might seem like the tragedy of a woman who struggled to break away from her reputation. The recently released HBO documentary My Mom Jayne, directed by her youngest daughter, the actor Mariska Hargitay—who was 3 when her mother died and would become a household name as the hard-boiled Olivia Benson on Law & Order: Special Victims Unit—invites viewers to reconsider that framing. Although the film acknowledges the injustice of Mansfield’s unfulfilled artistic potential, it also dignifies Mansfield as both actor and mother. The result is an affectionate tribute to a woman often impugned as Monroe’s dime-store variant; it also doubles as a portrait of Hollywood’s studio system in a state of free fall. Mansfield was a shrewd navigator of the industry’s politics—until they changed so drastically that she could not keep pace with them.

Read the full article.


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Felicia Ray Owens
Felicia Ray Owenshttps://feliciarayowens.com
Felicia Ray Owens is a media founder, cultural strategist, and civic advocate who creates platforms where power meets lived truth. As the voice behind C4: Coffee. Cocktails. Culture. Conversation and the founder of FROUSA Media, she uses storytelling, public dialogue, and organizing to spotlight the issues that matter most—locally and nationally. A longtime advocate for community wellness and political engagement, Felicia brings experience as a former Precinct Chair and former Chief Communications Officer of Indivisible Hill Country. Her work bridges culture, activism, and healing through curated spaces designed to inspire real change. Learn more at FROUSA.org

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