Rare Essence, D.C.’s legendary go-go band, proves they still have the magic touch

By D. Kevin McNeir
Special to the AFRO
kmcneir@afro.com

Rare Essence, Washington, D.C.’s iconic go-go band, has performed to the delight of its ever-growing fanbase for more than four decades. Now considered a D.C. institution, the band has secured a throng of supporters which today represents multiple generations and ethnic groups.

It all began back in 1976, when the fledgling band quickly attracted a small but devoted cadre of fans who were drawn to the indigenous funk sound first created by musical wizards like Chuck Brown, often referred to as the “Godfather of Go-Go.” 

And make no mistake–go-go still rules in the District and the wider metropolitan area as was evident on July 20, when Rare Essence appeared before a full house for an evening funk fest at The Tavern at Ivy City Smokehouse in the city.

As always, they delivered what their fans have long come to expect – a foot-stomping, finger-popping, musical interlude of their best-loved songs and instrumental creations that kept fans on their feet until the last beat of the drums reverberated on the venue’s rooftop.

Years ago, rap pioneer Doug E. Fresh, who often collaborated with Rare Essence and counts as one of several artists who would incorporate the go-go percussive element into his own recordings, described them as “The Wickedest Band Alive.”

Darryll Brooks, a highly respected concert promoter, businessman, and a D.C. legend himself with a career that spans more than five decades, was instrumental in the development of Rare Essence and other go-go groups back in the ‘70s. 

While some may be unaware of Brooks’ significance in the band’s development, he was one of only a handful of promoters who provided a platform for the emerging artists when others were reluctant to embrace the go-go sound. 

“They’re still one of the best, and they’ve always been among the upper echelon of go-go groups,” Brooks said. “I knew when I first heard White Boy and the rest of the group that they had something special, and I was honored to assist them as they gained recognition in the District and beyond. Their sound is unique and special and that’s why they’re still received with so much love and enthusiasm by anyone who likes the go-go groove.” 

Chris McLaughlin, a D.C. native, said his fondest memories include the moment in childhood when he first became enamored by Rare Essence. 

“I love them just as much today as I did when I was a child back in the ‘80s,” he said. “Their sound never gets old, and I still listen to them frequently. I can recognize Rare Essence after just a few notes are played by the band. And as a D.C. mainstay, they continue to serve as one of the city’s best and most creative go-go bands, bar none.”

Another fan, Anthony Selby, said he was a stranger to go-go music when he first moved to the nation’s capital from his hometown in Delaware. But it didn’t take long for him to become an ardent supporter.

“They’re a great group, and while I haven’t seen them perform in a while, I still listen to their recordings,” he said. Their sound is original and vibrant, and they have kept the tradition alive. What I admire most about them is their willingness to give free concerts repeatedly for their D.C. fans. It’s never been about the money or stardom for them. It’s always been about the music.”