Metro Boomin Presents: ‘A Futuristic Summa’: All 23 Tracks Ranked

The hook and overall melodies in “Don’t Stop Dancing” are unfortunately pretty grating and repetitive. Lil Baby sounds like he’s struggling to hit those high notes, and the hook comes in so often and so intensely it’s hard to focus on anything else.

While it’s nice to hear Young Dro, Shop Boy Meanie and Shad Da God collaborate on a track, “Issa Party” gets lost among the other party anthems on the tail end of disc one. The bars aren’t as clever, the beat isn’t as polished, and while it matches the overall theme of Futuristic Summa, “Issa Party” feels overly literal, coming across as a filler record.

Every player featured on “Overly Trimm” locks in to the best of their ability, but each rapper delivers stronger performances elsewhere on the tape. The cadence and rhythm of this track feel eerily similar to many other, stronger entries on A Futuristic Summa, making it hard not to draw comparisons — especially since “Overly Trimm” doesn’t appear until the closing moments of the project.

“I Like That” admittedly features so many different vibes that it all becomes a little overwhelming. Roscoe and 2 Chainz come through and do their thing, but by the end of the song, the glitchy beat, combined with Waka’s signature “Waka Flocka” screams, feels a bit suffocating. With its bloated four-minute run time, I can’t help but let out an exhale by the end of the track.

Rocko’s relaxed swagger pairs effortlessly with Zaytoven’s slightly menacing piano trills on “Make It Make Sense.” With the track sounding like a polished throwback to a 2010s classic, Metro and Zay step away from the high-energy party anthems of A Futuristic Summa to craft a slow-burn hustler track. Rocko, in turn, is given plenty of space to rap about money, cars and lavish expenses.

Shad Da God and Jose Guapo close out the album’s first half with a playful ode to turning up. It feels like Rich Homie Quan could have fit right alongside these two, as they wrap up A Futuristic Summa‘s A-side with a reminder that this album is all about having fun. “Look, I’m tryna have fun again, Metro. These clubs different now, I’m tired of the Percocet music,” Guapo says in the song’s closing moments, adding, “Look, we tryna have fun in the club!” More good times are indeed ahead as Metro begins to shift from outside to inside music.

Striking a similar jolly tone to “Loose Screws,” Young Dro returns for some more playful bars on “Stealin All The Swag.” Dro’s singing is surprisingly captivating on the hook, and will likely cause audiences to scream it out if it’s ever performed live. However, the full scope of the song comes and goes, without leaving any real impact compared to the other party anthems on this tape.

“WTF Goin” finds Young Dro truly in his element as he delivers braggadocious bars simply because he’s feeling himself and ready to party. It’s a simple concept for a song, but when executed this well, it’s bound to make anyone want to get outside and have a good time.

The transition from “Drip BBQ” into “I Go” is seamless, signaling that we’re entering the apex of A Futuristic Summa. JMoney returns with another dose of swag rap, which hits harder this time thanks to Young Metro’s smoother, less-buoyant backdrop. JMoney glides effortlessly over the beat, and while the bars may not be the sharpest of the bunch, their delivery is sure to get heads nodding.

Yung L.A. and Lil Baby bring the heat on “Jerry Curry (Love & Basketball),” trading bars about the two subjects in the subtitle. While Baby opts for his signature sleepy, Auto-Tuned flow this time around, Yung L.A. holds his own, delivering a catchy hook that fits seamlessly within Metro’s universe.

With production that’s fun, bouncy and right at home with that nostalgic ATL sound, JMoney steps right back into his futuristic swag era with “I Want It All.” It’s a fun intro to what is sure to be a fun album. The song serves as a great appetizer for what’s to come, but better tracks await.

JMoney, Shop Boy Meanie, Roscoe Dash all sound like no time has passed, but on “My Lil S—t,” it’s newcomer BunnaB that carries the team. Channeling the early-’00s ATL energy is one thing, but BunnaB’s animated flow takes the nostalgic vibes of “My Lil S—t” and makes it feel fresh and current.

The entire cast of A Futuristic Summa returns for the album’s bouncy closer, sailing into the horizon with bars crafted to capture the attention of the girl next door. After all, it wouldn’t be an ode to the 2000s without at least one track dedicated to chasing a summertime neighborhood love interest.

T.I. is always smooth with his bars, even when he’s partying the night away, but when it comes to melody on “U Deserve,” Roscoe has him beat! Roscoe Dash brings this song to life, with Young Dro stopping by one more time to rattle off some sensual bars about his lady. Altogether, it’s a strong standout in the mixtape’s bloated second half.

Metro dims the lights for a moment on “Partying & Drinking,” allowing Future and 21 Savage to join the cast of characters on the record. The song offers a welcome change of pace, with Pluto and Savage sounding completely in their element over Metro’s syrupy beat.

Quavo and Roscoe Dash on the same song? Who would have thought? But on “Butterflies (Right Now),” they sound like two peas in a pod. Both rappers’ melodic approaches to Metro’s galactic synths and clicking hi-hats feel right in sync with the Futuristic Summa throwback vibe. With a catchy hook to tie it all together, “Butterflies (Right Now)” hits like a pool party on a balmy July afternoon.

Shad da God and Skooly sound better than ever on “Loose Screws.” Over a beat so animated and glitchy it feels like something straight out of a video game, the two deliver explicit bars about a girl so hot they feel like they’re losing their minds. “I mean, this b—ch so bad, she can make the news,” Skooly spits in classic early-’00s fashion. No further context is necessary. “Loose Screws” is so upbeat and cheery it’s almost comical, but that’s exactly what hit so hard about the music back then.

While still a buzzing young talent, BunnaB sounds right at home with this early 2000s sound. Her rhythmic drawl on “There” is an earworm on its own, and while Quavo does his thing over Metro’s springy steel drums, but Bunna and YK Niece’s animated bars really bring this joint to life.

Metro taps into his trap comfort zone with “Clap,” enlisting Waka Flocka Flame for a lively and boisterous club anthem. The track serves as an exciting teaser for what’s to come in the mixtape’s second half, as Metro transitions from the streets to the club.

It’s so nice to hear Young Thug having fun again! The cheerful ATL legend sounds comfortable and relaxed over Metro’s horns. While Thugga’s previous release, “Money on Money,” was a boastful flex brimming with testosterone, “Birthday” is purely celebratory and a jolly good time. Although Yung Brooke and Skooly do their best to match Thugga’s energy, it’s clear that this song belongs to him.

Girls just wanna have fun this summer, and Metro, Gucci Mane, Young Dro and Travis Porter are here to make sure it happens. On “They Wanna Have Fun,” Guwop sounds right at home over Metro’s hi-hats and jerky synths, while Dro raps like it’s 2006 all over again. Travis Porter revitalizes his “Bring It Back” flow, and all feels right in the world.

“Drip BBQ” turns up the temperature on A Futuristic Summa, with Waka’s high-octane bars propelling the album into the next chapter with a bang. It’s just a shame Waka’s verse isn’t a bit longer, given the dose of adrenaline he adds to the track after Quavo’s more relaxed delivery.

The single that started it all: “Slide” showcases everything that made Roscoe Dash such an iconic hitmaker in the early 2010s. His slick melodic flow, cheeky-as-hell wordplay (“Let me feed you like a baby bird/ You ain’t even gotta get up and chase the worm”), and infectious energy all come together seamlessly. “Slide” is sure to inspire anyone to get up and hit the dance floor.